Paul Sérusier

Arbres Japonisants

£33.99
£33.99
Tax included.

Regionally Produced. Reduced Impact.

Your print is produced locally in your region (US, EU, UK, Australia) and ships directly to you.
Shorter distances mean less environmental impact.
Production: 3-5 business days
Shipping: 5-10 business days

Next Day Delivery

Get your items delivered to your doorstep in no time with our Next Day Delivery service! Order today and receive your package by tomorrow to ensure quick and convenient shopping experience. Don't wait around for your items, shop with us and enjoy fast and reliable delivery straight to your door.

Fine Art Giclée Print

Printed using the Giclée process, the standard used by galleries and museums for fine art reproduction. Each print is produced individually to order.

Paper: Enhanced Matte Art paper. A heavyweight 200gsm stock with a smooth, natural white finish. The matte surface removes glare and holds detail well across both highlights and shadow.

Inks: Pigment-based archival inks, chosen for their colour depth and long-term stability when displayed indoors.

Frame: Solid wood frame with a satin-laminated finish.

Stretched Canvas Print

Printed onto 400gsm artist-grade cotton canvas, a finely woven substrate that holds fine detail and tonal depth well, giving prints a tactile, gallery-style finish. Rated for over 200 years of display permanence indoors.

Canvas: Hand-stretched over a 38mm frame built from European kiln-dried, knotless pine. The stretcher bars are finger-jointed for strength, with corner wedges added on larger formats to keep the canvas taut over time.

Inks: Printed using latex and UVgel inks, for a durable, fade-resistant finish.

Hanging: Canvas prints don't come with hanging hardware. They're designed to sit flush against the wall on a single nail or screw, so no fixings are needed or included.

Global Delivery

Orders are fulfilled from print facilities near your location to reduce shipping time, import tariffs, and environmental impact. Your print arrives carefully packaged.

Fulfillment from: UK, EU, US, Australia

Packaging: Protective cardboard packaging

Framed Prints — Ready to Hang

Your framed print arrives ready to display, with hanging hardware pre-fitted to the frame (a sawtooth hanger or cobra hook, depending on size). Simply hang using a single nail or screw.

If you'd prefer a renter-friendly option, Command Strips fixed along the edge of the frame work well too. As a rough guide, use around 4 per frame for A3, and 6 per frame for A2 and larger.

Canvas — Sits Flush, No Hardware Needed

Our canvas prints are stretched over a solid wooden frame and designed to sit flush against the wall, so they don't come with hanging hardware, and they don't need it. A single nail or screw is enough for most sizes. For larger canvases, we'd suggest two fixings spaced across the width, for a level and secure hang.

Command Strips are also a good renter-friendly option for lighter canvases — just check the weight rating before use.

Caring for Your Print

Keep away from direct sunlight and reflected light (mirrors, glass) to preserve colour over time. Display at room temperature in a stable, moisture-free environment, away from direct heat sources such as radiators or fireplaces.
Arbres Japonisants

Paul Sérusier

Paul Sérusier (1864 to 1927), regarded as the intellectual architect of the Nabis movement, was a French painter who moved decisively from academic realism toward a symbolic, almost mystical vision of colour. Trained rigorously at the Académie Julian, Sérusier is credited within art history for the pivotal 1888 painting made under Paul Gauguin's direct instruction in Pont-Aven, a small landscape rendered in flat, non-naturalistic colour that came to be known as The Talisman, and which effectively launched Post-Impressionism's symbolist wing. He is particularly noted for relocating this radical colour theory away from Parisian avant-garde circles and into rural Brittany, where he spent much of his career depicting Breton peasant life, folk custom, and religious ritual with the same deliberate flattening of form. Sérusier's lasting influence rests on his formalisation of colour and composition into teachable theory, most notably his belief that proportion and the Golden Section held near-spiritual significance, a doctrine he later codified in his 1921 treatise ABC de la peinture and passed on through his teaching post at the Académie Ranson. Beyond his own canvases, his synthesis of Theosophical mysticism with painterly structure set a template later artists would draw on well into the twentieth century, cementing his reputation as the quiet theorist behind one of modern art's foundational movements.

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